J.J. Abrams has been involved with social engineering with the CIA for decades. His connections to Walt Disney Co. and creating CIA recruitment television should be enough for any follower of this author. But, there is always more to the picture.
The CIA, Satan, and the JFK Assassination
50 years after the assassination of President John F Kennedy, Freeman reveals which contemporary Hollywood star's father confessed to firing the fatal bullet. - Freeman on Good Vibrations Nov.22nd
I sat next to a man who claimed to be a police investigative reporter.
He was mostly interested in the Iran-Contra investigation. We talked for
a while about “guns for drugs” then, he told me that he had, I believe
it was, Parkinson’s Disease. He said that he needed to take his
medication and that it would paralyze him for a time, but that he could
talk. He said it frightened him to be paralyzed and asked if I would
stay to talk with him during this time. I said, “certainly,” and then,
out of the blue, he asked me, “Do you want to know who killed Kennedy?”
Being an avid Discordian I replied, “Wasn’t it John Dillinger?”
He kinda smiled and said, “It’s funny you should say that. Yellow
Springs is the first town Dillinger robbed, but no, it wasn’t Dillinger.
It was Woody Harrelson’s father. This is a Yellow Spring’s secret.
If you believe that slavery is a thing of the past, you are still a slave. The continuity of the practice of slavery on planet earth is staggering. The idea of owning another person is as old as civilization itself, going all the way back to ancient Sumer. Predating all other forms of coerced labor, not only is it ancient, but it is oh, so contemporary...and fashionable!
When Bob Marley sings about slavery, he calls it the Babylon System and hits the nail on the head. The Bible calls Nimrod, the King of Babylon “a great hunter before the Lord." According to archeology and biblical context, the word “hunter” translates to plunderer or conqueror. Nimrod was immortalized not for his skill in hunting beasts, but in the success of his slave trading and the hunting of men to establish his imperial kingdom of tyranny. Nimrod hunted men and brought them into bondage to Babylon and forced them to build him a great tower to piss off Yahweh. The foundation of Babylonian society was the slave population; the necessary component of all mass economic activity. The sources of their slave supply were endless. Military conquests furnished many; others had fallen from the position of free laborers; still others were purchased from abroad, or were children of native slaves. Nimrod's Babylon is associated with slavery, military and economic power, seduction, and worship of the state.
If you want to see the Babylon system at work today, look no further than Hollywood. Every year the Academy Awards are held in the heart of downtown Hollywood at the Kodak Center. Adjacent to the theater is the Hollywood and Highland Center called the Babylon Courtyard. Its décor is taken straight from a 1916 movie about ancient Babylon called Intolerance. Four story columns topped with standing elephants surround an archway depicting two curious characters. The figure on the left holding the basin of water is Enki, one of the Annunaki brothers who were gods of the ancient Sumerians that came to earth to genetically engineer a slave race. Enki is also known as Ea and is usually distinguished from other gods by two streams of water erupting from his body, or from a pot held in his hands. The figure on the right is the Assyrian god, Nisroch. Both of these gods were usually depicted holding a pinecone like object, believed to be an ancient depiction of the pineal gland, however, in the Hollywood version the glands are strangely absent.
The most famous of slaves were the Jews of Babylon, so it is ironic that their own empire of Hollywood is founded on slavery. During Hollywood’s golden age of the 1920’s and 1930’s, major studios spent a considerable amount of money to help locate, establish, and groom their legendary celebrities. The studio did as much as possible, even dictating social activities and personal relationships to ensure proper exposure of their best stars. The process of becoming a star invaded every aspect of a person's life. These actors essentially became the property of the studio once they signed a contract. Remember, the foundation of black magic is the pact or contract. Actors and actresses operated on strict contracts and this situation kept the power in the studio's hands. An actor's contract also entitled the studio to assign them to any role it chose, as well as loan out its stars to other production companies. Because of this, stars very often found themselves playing roles they weren't too crazy about. Actors of the studio really had no power or control over their own careers; their futures were at the mercy of the studio that signed them. With strategic planning and decision making that took place at the highest levels of studio management, they built unknowns into household names.
Babylon’s legacy of blood sacrifice, human trafficking and slavery has been handed down through the generations.